Tuwei and Shenqu: The Economic Powerhouse of China’s Rural Digital Culture on Kuaishou

In China, the phenomena known as Tuwei (土味, literally “earthy” or “rustic taste”) and Shenqu (神曲, “divine songs” or viral grassroots hits) represent far more than niche entertainment.
They form a massive, self-sustaining economic ecosystem that gives voice and commercial value to hundreds of millions of people in rural areas, small towns, and among migrant workers — segments long overlooked by polished urban pop culture.
While Douyin (China’s version of TikTok) often showcases glossy, trend-driven content from big cities, Kuaishou has become the primary home for authentic, grassroots expression. This mirrors how YouTube in India empowered Bhojpuri-language creators to build a parallel digital economy.
Kuaishou: The Platform Built for the People

- In 2025, Kuaishou reported average daily active users (DAUs) of 410.2 million and monthly active users (MAUs) of 724.6 million.
- Full-year revenue reached RMB 142.8 billion (approximately $20 billion), up 12.5% year-over-year.
Revenue streams are heavily skewed toward online marketing services (~57%) and live streaming (~27%), with the remainder from e-commerce and other services. This model thrives on high engagement from price-sensitive, mass-market audiences who spend on virtual gifts, live commerce, and everyday products.
Shenqu: Viral “God Songs” from the Grassroots

They play everywhere — markets, taxis, shops, and on millions of phones — creating a cultural soundtrack for everyday life.
One notable example generated nearly 10 million yuan (~$1.55 million) in revenue in 2018 through streaming plays and licensing alone. On major platforms, these grassroots tracks often outperform polished pop releases in long-term engagement and monetization.
Creators and small labels treat Shenqu as high-ROI products: low production costs, rapid release cycles, and algorithmic amplification on Kuaishou lead to massive reach and licensing income.
Tuwei Culture: From Stigma to Commercial Authenticity
Originally a somewhat derogatory term for “rustic” or “unrefined” content, Tuwei has been reclaimed as a badge of authenticity and relatability. Content often features exaggerated displays of success (sometimes playfully inauthentic), rural life dramas, comedic everyday situations, or heartfelt performances that resonate deeply with working-class audiences.

- It creates a trusted space for creators from rural or migrant backgrounds to monetize their lives through live streaming (gifts/dashang), product sales, and brand deals.
- Many young migrant workers use Kuaishou as a pathway to socio-economic mobility, turning “playbour” (play + labor) into income streams.
The Economics of “People’s Content”

- Marketers deploy rustic, humorous, or emotionally direct Shenqu-style videos to promote everyday essentials, agricultural equipment, budget smartphones, and consumer goods.
- Kuaishou’s strength in live commerce and high e-commerce conversion rates (reportedly 5–10x higher than more polished platforms in some analyses) makes it especially effective for performance-driven advertising.
- The platform’s ecosystem turns musical and video content into direct sales funnels — a model where the video itself is the primary marketing vehicle.
This creates a virtuous cycle: high user engagement drives ad revenue and e-commerce GMV for the platform; creators earn through multiple channels; and brands gain efficient access to a massive, loyal audience that traditional advertising often misses.
A Parallel Digital Economy
Just like India’s Bhojpuri Video Gana phenomenon, Tuwei and Shenqu on Kuaishou demonstrate how digital platforms can unlock economic value for populations outside elite urban centers.

- Low barriers to entry for creators;
- Algorithmic amplification of authentic, relatable material;
- Integrated monetization (ads + live gifts + e-commerce);
- Cultural resonance that builds loyalty and repeat engagement.
Kuaishou has built a powerful alternative ecosystem to Douyin’s more aspirational, youth-urban focus. Far from being “just for villagers,” it represents a sophisticated, multibillion-dollar digital economy rooted in the everyday lives of hundreds of millions of Chinese citizens.
In both China and India, these grassroots digital cultures prove that the most powerful economic engines in the creator economy often emerge not from polished studios in megacities, but from content that speaks directly to the heart — and the wallet — of ordinary people.
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