"Megalopolis" Trailer Pulled After Revelation That Its "Critic Quotes" Were AI-Generated Fakes

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A trailer for Francis Ford Coppola’s upcoming sci-fi epic “Megalopolis” was pulled by distributors after it was called out for featuring made-up quotes from famous film critics, Variety reports.

Except few, if any, of the negative quotes attributed to the likes of The New Yorker’s Pauline Kael and The Village Voice’s Andrew Sarris were real.
Bilge Ebiri first called out the fake quotes at Vulture on Wednesday. In the chaos that followed, many observers noted that ChatGPT—or a similar large language model—appears to be the source of the quotes, marking one of the more embarrassing public debacles caused by AI hallucinations.
Mega Sloppy

Internet sleuths who prompted ChatGPT to cook up negative quotes about “The Godfather” and Coppola’s other films found that the chatbot returned similar-sounding fake reviews—claiming in one case that Kael had called the gangster epic “almost comic in its heavy-handedness.”
Based on those findings and our own testing, it appears that simply asking for a negative quote is enough for ChatGPT to fabricate history and attribute whatever it makes up to any critic, regardless of what they actually said.
Telling the chatbot that the quotes aren’t real only causes it to try to amend the error by offering up more fake quotes.

Some speculate that a marketer fixated on the “critics-were-wrong” angle simply asked ChatGPT for negative reviews of Coppola’s movies to avoid the legwork of poring over old newspapers and magazines—and then never bothered to verify the responses it confidently delivered.
Apocalypse… How?
The trailer has now been removed from YouTube, Twitter, and elsewhere, where it had amassed millions of views before being taken down.

Screwed up is right. As the refrain for our AI age goes, ChatGPT is not a search engine—nor is any other LLM—and it can easily become a spreader of misinformation, as this episode and others have shown.
This doesn’t augur well for “Megalopolis,” which has already proved divisive with critics. But Coppola has been here before: “Apocalypse Now” was once anticipated to be his next great opus, also carrying a potentially ruinous budget with his own money on the line and a controversial production. Unlike the Vietnam picture, though, “Megalopolis” didn’t manage to bag a Palme d’Or when it premiered at Cannes. It also didn’t have a dumb chatbot sabotaging its marketing campaign. The horror.
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